By _YBF

 photo Screenshot 2015-08-25 10.27.21.png

On the heels of Dr. Dre’s public apology, Dee Barnes has written a response essay regarding his “admission.” Read her statement inside and find out what Lisa Bonet said to Zoe Kravitz about Bill Cosby…

Last week, former N.W.A. member and producer Dr. Dre issued an apology to the NY Times to the all of the women he hurt in his past. Most specifically, the ones he allegedly physically assaulted.

Since the highly successful biopic Straight Outta Compton was released (in the pic atop Ice Cube, O’Shea Jackson Jr are shown at the “NW A Straight Outta Compton’ Paris premiere At UGC Bercy yesterday) , there has been a lot of chatter online about things missing from the film. Most notably, Dre’s violent past where he is accused of physically abusing women.

So why now? If we’re being honest, plenty of folks feel like the execs at APPLE (or someone influential) stepped to Dre and let him know all the press is bad for their bottom line. But….does his admission and/or why it finally happened matter? Folks are chattering from all sides on the net.

In a new essay published on Gawker, Dee Barnes, who wrote about her experience as a Dr. Dre victim a few days ago, wrote ANOTHER piece post-Dre’s apology. Check it:

“I hope he meant it. I hope he represents these words in his life. I hope that after all these years, he really is a changed man.

Dr. Dre has matured, and the women he’s hurt, including myself, have endured. I’m proud to be able to say goodbye to the man who at one point was straight outta fucks to give, as he consistently dismissed and disrespected any mention of his assault history. Goodbye to the man who didn’t deny it and even bragged, “I just did it, you know. Ain’t nothing you can do now by talking about it. Besides, it ain’t no big thing–I just threw her through a door.”

Goodbye to a general public that accepted these indiscretions without so much as a second thought. When news of the apology broke, my social media feeds were immediately flooded with responses ranging from good to bad to ugly. I saw comments like, “That was the worst apology,” “Fake apology,” and, “He did not have the decency to state your names and do it face to face after all those years—that’s the least he could do.”

I understand people’s apprehension. The stakes are high now and money talks, loud. Is this is a PR move by Universal, which released Straight Outta Compton? After all, the film just crossed the $100 million mark its second weekend in theaters. Is it damage control by Apple, which can no longer ignore that if you take the “Beats by Dre” logo and remove the “S,” you get a double entendre describing several woman he just apologized to? Is Dre himself really remorseful or just saving face? To me, the answers to these questions matter less than the fact that Dre stepped up and performed his social responsibility by finally taking accountability for his actions. Who cares why he apologized? The point is that he did.

I know what it’s like to speak out and have your intentions criticized. While my essay about my experiences with Dre and N.W.A. received a lot of positive support, I was also repeatedly asked, “Why now?” To be clear, I spoke out after a Rolling Stone interview promoting Straight Outta Compton—released August 12, 2015, just two days before the movie’s opening weekend—named me as the TV host assaulted in a 1991 “incident.” This is the first time Dre supposedly “apologized” in public to the women he hurt. He vaguely acknowledged his “fucking horrible mistakes.” But he didn’t actually apologize: “I would say all the allegations aren’t true–some of them are.” And that is why I spoke out. That is “why now.”

Then last week, the L.A.Times published an article about an early draft of the Straight Outta Compton screenplay that included a depiction of my brutal encounter with Dr. Dre, in which my character throws a drink in his face after being confronted. It’s only after the drink is thrown that the Dre character retaliates with physical violence. That is a fabrication intended to excuse his actions.

I’ve also received harshly worded comments stating that the biopic is not the Dr. Dre story, it’s N.W.A.’s. But when other members of the group publicly condoned the assault, their confirmation made it officially an N.W.A. issue. Eazy E, MC Ren, and DJ Yella verbally bashed me after Dre did it violently. It was nothing short of character assassination.

In 1999, eight years after the incident, Dr. Dre added insult to injury by producing and releasing the Eminem single “Guilty Conscience.” This song was no “fucking mistake.” Em’s rap brought up Dre’s violent past while accusing him of hypocrisy: “You gonna take advice from somebody who slapped Dee Barnes?” Eminem also rapped: “Mr. Dre, Mr. N.W.A., Mr. A.K. coming Straight Outta Compton, y’all better make way. How in the fuck are you gonna tell this man not to be violent?”

The story goes that Dre “fell out of his chair laughing” when he heard the reference. I have been routinely accused of “living in the past” and of not letting this go, but it was Dr. Dre himself who was living in the past and couldn’t let it go so he created a permanent reminder of the “Dee Barnes incident.” And Eminem is not the only one; there are numerous songs that mention the incident, enough that essentially turned me into a, uh, punchline. Of the women assaulted by Dre, I was the only one to press criminal charges against him. I’m also the only one whose name later came up in one of his songs. “Guilty Conscience” and the other songs containing the reference are products of clear and obvious misogyny on a cultural level and for …read more


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