In an open letter on Mass Appeal, rapper turned mogul, Nas pens an open letter in which he calls Donald Trump a racist. Nas, a co-founder of Mass Appeal Records among many other things, speaks on the power and influence of politics, and the importance of making an impact through everyday work.
The Creator put us here to do our thing, so I do my thing. And I don’t pay attention to politics at the moment. For what? There’s no reason. For me, it doesn’t make any sense. We all know a racist is in office. People can talk their shit. Comedians can sound racist. People can go through their moments of that shit, but when you have the responsibility of being President and you carry on like that, you send a strong message to people outside of your group that they ain’t worth shit.
So why would I focus on that unless I’m in the political game? Unless I’m running for office I don’t have to pay attention to know that. If I ever vote again—when it’s time to vote again, and I feel like voting again—I don’t have to follow the news to know who I’m voting against. But then you wind up saying “Who’s the next motherfucker coming in, and how does that help?”
My way of addressing these issues is through my work. Whatever president may be in office doesn’t affect my work directly. The way he affects people is what affects me. I observe what’s going on and that goes into my creative process. The person himself, I’m not caught up with. I don’t even have time for Trump or Pence. I don’t give a fuck.
My focus is on what’s happening with real people in their everyday lives. How they behave, the decisions they make, and how that affects families. I grew up in a single-parent household, so I was affected by that life. But it didn’t stop me. So I speak to the everyday people. I speak to everybody. If the people are bothered by it, I speak on it. If the people are bothered and want change, I speak on that.
It’s the same way I felt as a youngster when Ronald Reagan was in office. My voice at that point didn’t fuckin’ matter to anybody. I didn’t care. You know what’s different today? I’m older, that means I’m more responsible. That means paying attention to what’s happening to my country.
But in reality, art is gonna thrive regardless. Whether it’s affected by who’s in office or not, art thrives. I live in that—I live in those walls, I live in those wires, I live in those pencils and papers, and that sound. I’m not caught up in politics. I saw Gerald Ford and his vice president Nelson Rockefeller. I saw Jimmy Carter. I saw Ronald Reagan, and I saw George Bush, Sr. I saw Bill Clinton, George Bush, Jr., and Barack Obama. I’m good.
I got my own things to say and I been saying how I feel on the mic. Sometimes people ask me “Why you didn’t say this?” or “Why you didn’t talk about that?” You got a million people out here with a million different views and I heard it all. I talked about it all. I thought about most of the shit somebody could think of. I move through action. My music is action. What I’m giving you through my music is my actions.
I might have a song I want to deliver and then do things around that song that represents that song. And that can represent people and change and help with the education of young people. I like those ideas. I like ideas about helping kids in the inner city want to learn. Helping them want to be more. I’m all about being what you can be, because you never know.
That position, the presidency, seems so far away. But Barack Obama changed the game so that now, whether you’re a woman or Latino or whoever, you can feel that running for office can be a real goal. Winning the election could be real for someone in this country, if that’s what you want. As a kid, at one point I thought I wanted to go to film school. It was gonna be films or music. Steven Spielberg, George Lucas—those were big names for me coming up.
Read the full open letter here.
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